![]() ![]() “When I was working as a live-action cinematographer, the bigger projects required weeks of pre-production and planning for a one-to-three-day shoot,” Workman remarks. ![]() This also sparked an interest in doing his own previs. Workman worked as a commercial cinematographer in New York for more than a decade, eventually looking to transition more into larger visual effects projects. He regularly shares – often daily – his own experiments in virtual production with followers on social media, also turning to the burgeoning virtual production community for advice and inspiration. Since virtual production is a relatively new area of VFX, information, training and advice on the latest techniques have not always been easy to find for those eager to learn.īut one person, cinematographer Matt Workman ( has become somewhat of a go-to source. There’s no doubt that virtual production, and the associated area of real-time, is the hot topic in filmmaking and visual effects right now. TOP: Matt Workman in 2010, using the Red One camera – an early leader in digital cinema cameras that could capture up to 4K resolution – during the filming of a music video in Manhattan for Def Jam Recordings. All images courtesy of Matt Workman unless otherwise noted.
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